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Showing posts with label New Photographers. Show all posts
Showing posts with label New Photographers. Show all posts

Saturday, February 25, 2012

What's Your Worth? -- Phoenix, AZ Photographer

{ The Tale of the Skinny & Fat Piggy }
Is your piggy bank starting to look a little too thin?
Do you need more green to feed it and to fatten it up again?

When photographers are starting out in business, they often make a similar mistake:

They let their little piggy go hungry.

Very hungry.

But what they don't realize is that that piggy bank becomes the bacon off of which they and their family eats and it's important to set a price that is not only fair to clients, but to his or herself as well.

It is important for a photographer and a client to:

Value time.

Value effort.

Value what is being invested into. 

When I first started photographing as a business, I was charging $50.00 per session. It seemed like a good thing at the time because I was new and thought, "Awesome, I'm making money!"

But was I really?

After spending a few months in the business, I realized just how many costs go into making photography a business--and there are many hidden costs that really add up. I want to highlight them here for both the photographer and the client.
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{ These are just the bare bone essentials of what goes into a photo shoot } :

There's the cost of gas to drive to the location and back.

The taxes that are paid on 4 different levels
{ here in AZ it's city, county, state and federal on product and services }.

There's the 1-2 hours out on site to take the photos.

The 2-4 hours at home hand editing each photo from the session.

The time it takes to upload and process an order at a lab.

The shipping of the photos from the lab to photographer.

The shipping of the photos from photographer to clients.

The cost of the product themselves.

The cost of packaging.

The cost of credit card processing.

The cost of posting the photos online in a proofing gallery.

The cost of electricity to run the computer to make all that magic happen.

I'm not including the other costs--maintenance of gear, maintenance of car, licensing, business cards, etc.
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As a photographer, you have to take these things in mind as you set your prices for your clients.
As a client, you have to take these things in mind as you search for a photographer.

Photographers, are you being fair to yourself and your work? Do you value it?
Clients, are you being fair to your photographer and their work? Do you value it?

I wouldn't expect a person to work and not get paid.
Would you?
Some of you photographers, why are you working for free and not charging enough to cover your costs? Why are you not charging your worth as an artist?

Some of you clients, why are you expecting to get something for near nothing?

Why is that?
We wouldn't expect to get a diamond for a cubic zirconia price, right? So those of you photographers who are exploding with talent, why are you pricing yourself as a cubic when you're really a diamond?

Do you want to work with a client that doesn't value your work at the level that it's at?
Could it be that you're setting your prices lower than they should be because you're afraid that you won't find people who will value your work?

People pay for what they value.

Listen: Price isn't the issue. The perception of value is.

Some people value one thing over another.
My goodness, have you seen the rise in fights that are happening over a pair of sneakers out right now? People are fighting over shoes! Shoes! Enough to call in riot police! People buy what they value.

I'll give you another example.

DISNEYLAND.

Disneyland is expensive.
I know.
I used to work there.

What is the breakdown of the bare bones of a trip?

1 adult ticket is $80.00 for a 1 day, 1 Park ticket.
There's the cost of parking.
The cost of meals throughout the day.
Drinks throughout the day.
The cost of a locker.
The cost to get to the Park { gas or airline }.
If you're from out of town, the cost of a hotel or motel.
Not including souveniers, it's pretty pricey...

But people pay it.

Why?

It's hot in the summer. Lines are endless. Crowds are pushy.

Because of memories.

There is value in going to Disneyland.
People are willing to pay for the magic that Disney creates for them.

I used to be a part of making that magic and I know how very special that can be for a person or a family.

People pay for it, because memories are valuable.

You could go to the local carnival.
It's cheaper.
But the experience is not the same by far.
I guarantee you're not going to get the same experience that you will at Disney!

The same thing is true of a professional photographer.
A client could go to a local store or mall store and get their photos done.
But you get what you pay for.

It's like eating a cake without the frosting.

You can't expect to price yourself the same, because you're not the same. 
Clients shouldn't expect to get you at the same discounted price because as a professional, you invest more into their photos than they'll ever be able to get at a local store or mall studio.

A professional photographer is valuable because he or she is capturing memories in a professional way.

A photographer creates and captures memories.
In their best light.
In the most artistic way possible.

It's funny how people view pricing sometimes.

I wouldn't expect to walk into Neiman Marcus and ask for something at Kmart prices.
I would probably be laughed out of the store for even asking such a thing.

Each place is priced differently for a different crowd of shoppers. Some can afford one price. Some can afford more. Some can afford less. We each shop at the level that's most comfortable to us.

Just like with shopping, there are photographers at several different price ranges for a variety of different clients at different price ranges.

If you're priced fairly and someone can't afford you, you don't have to feel bad and change to fit their budget and expectations.
You set your prices fairly and the right clients that value your work and can afford your price range will be the ones to hire you.  

Skinny piggy, fat piggy....

What's in your wallet?

It all depends on the value you and others see in your work.




Friday, February 3, 2012

{ Beba Photo Tip -- Finding Open Shade } -- Mesa / Phoenix, AZ Photographer

Harsh Lighting = BAD
Don't Do This:


Open Shade = GOOD
Do This Instead:
This is a quick little tip that's easy to remember and one that will make a world of difference.

When you're shooting your subject, whether it be a person or object...make sure that you're shooting in good open shade and NOT direct sunlight.

These two pictures are SOOC{ Straight Out Of Camera }--no color or lighting has been changed.

Do you see the difference? One is harshly lit and the other is softly lit.

Aim to find "open shade"--an area that is well lit, but covered by an overhang or shoot on the backside of a wall when it's still bright out so that you don't get those harsh shadows and highlights.

Before you photograph your subjects, make sure you take a moment to see how the lighting is falling across their faces and their bodies and the scene around them. Are there any harsh shadows and highlights? Search around and move them into an area that has open shade and your pictures will be transformed!

A small detail that's sometimes overlooked, but that make pictures look ever-so-much better when you find that right light.

Tuesday, January 17, 2012

{ Flash and Lighting Techniques -- Photo Tip } -- Mesa / Phoenix, AZ Photographer

{ You Light Up My Life }

When you're using an angled, external flash, which direction should you point it? It all depends on what kind of affect you are looking for and are trying to create. I'm going to be using my little bear friend as a model for this tutorial on lighting. You can use a similar item to practice your flash lighting or also use a real { person } model. The key is to practice so that you get used to what your flash is doing. All of these photos are lit from two light sources. The first light source was an overhead ceiling fan light behind me to the left, facing the bear. The second source in each photo is described below each photo.


In this photo, I positioned the swivel head of my flash so that the light coming from my flash first "bounced" off the wall and then fell softly back on my bear subject. This is a way of softening the light on your subject. Rather than being a harsh, direct light from a flash that's pointed directly towards the subject, it's softened by lighting the wall first and only having the residual light fall back onto the subject.


Shooting with your flash angeled to the right will have the same effect that bouncing the light from the left will do, only it will light the other side of your subject. One thing to keep in mind when you're bouncing light from the left or the right is that it creates shadowing on the other side of your subject. To fully understand shadowing, place a 3 dimensional object on a table and turn the lights off. Then, take a flashlight and position it so that it's lighting from only one direction of your subject. You'll notice that the other side is in { mostly, if not all } darkness. This is because your subject partially or totally blocks the light source. Any solid object will block light.


This is an example of light pointed above and towards the subject. It's that direct light that isn't very pretty. It's why most photographers use an external flash, so they can bounce the light and make it more artistic. I'm not fond of direct light because it's so stark--it is harsh and blunt, taking away too many of the shadows and making my subject look a little too flat.

You can also angle your flash straight up and this will bounce the light from the ceiling { if you're shooting indoors } and fall back over your subject. The shadows will fall underneath your subject. Can you see that in the photo?


This is my favorite kind of light. I turned my flash head around and bounced it off the wall and ceiling BEHIND me. This really took the light source away from my subject and allowed the light to fall back more evenly, filling my subject, but not harshly. All the shadows seem to be in the right places. This is a great tip for when you're shooting inside because there is something to bounce the light off of.

After you have gone through this tutorial, go back through each picture and study the shadows and lighting in each one. You'll start to "see" the way that lighting has an affect on photos. It's an important and fundamental key for photographers to understand as they're lighting their subjects. Hope this is a great help to many of you! : )!

Happy Lighting!

Wednesday, December 28, 2011

{ Beba Couture } -- Mesa, AZ Fairytale Princess Photographer

{ Beba Couture }


A special video preview of Beba Couture that will be launched soon!
Beba Couture will specialize in stylized fairytale shoots. The heart behind it is that I want every girl and woman to see herself as the beautiful person she was created to be. From young to old, I want her to know how unique and special she is

Once Upon a Time, There Was a Princess..........
and that Princess is YOU.

Monday, December 26, 2011

{ New Year, New You -- How To Achieve Your Goals This Year } -- Mesa, AZ Photographer

{ New Year, New You }
How To Achieve Your Goals This Year

In less than a week, we will be in a new year.

2012

Doesn't it seem like it was just turning the millenium with year 2000?

It sure feels that way to me sometimes! It feel like time passes quicker than we can blink.

I've made some good New Year's resolutions in the past that I've been able to keep:

Be more positive.

Open a photography business.

"LIVE" and "BE", not just "DO".

I've also made resolutions that seem to go strong the first week or two and then fizzle into oblivion by the end of January:

Lose weight. { Ha! }

Get more sleep. { Ha! }

Treat myself to a home manicure every week. { Ha! }

Okay, so some things don't totally go as planned. Sometimes we start off with all the motivation in the world....but what is the secret to actually achieving those goals? What makes such a big task possible?

My secret from last year is to:

Write. It. Down.

It sounds simple enough and like it wouldn't really make any difference, but oh, it DOES.

I was able to achieve 75%-80% more last year from my goal list--things I once only dreamed about doing--because I wrote those things down. I typed them into my phone and added to the list throughout the year. It committed me to doing them because I actually SAW them throughout the year.

It challenged me and reminded me that New Year's was coming around again at the end of this year and I didn't want to celebrate another year passed as unfruitful.

What are your goals for this coming year?

When 2012 ends, what will you say you've accomplished that you've always wanted to do?

It seems daunting at first, when you think of it as the "Big Goal." But when you slice and divide that Big Goal into tinier, Smaller Goals....then suddenly it becomes easier to achieve what you'd like to do, because you take it one step at a time.

For example, last year, I knew my "Big Goal" was to get started as a photography business. I had that broken down into smaller goals like:

-Buy business cards
-Open a website
-Get business Trademark
-Get EIN
-Open blog
-Network like a crazy person
-Do (x) amount of shoots per month
-Earn (x) amount of $$$ per month
-Quit full time job { gulp } and move into part time job
-Etc.

Did I achieve every goal?

No.

There are still some that I'm going to aim for again in 2012 such as purchasing new camera gear. But did I get things done that needed to get done to push me closer towards that goal?

Yes.

And that forward motion is what's important.

Are you moving yourself closer towards your Big Goal?
Are you taking those smaller steps towards achieving what you'd like to do?

Here's a way to break down your Big Goal:

1. Define what your Big Goal is and label that as the goal for the year.
2. Then, break down what could be done each month to reach that Big Goal.
3. Then, take those monthly goals and break them down even further into weekly goals.
4. You guessed it. Break those weekly goals down into daily goals.
5. Think I'm crazy? Break those daily goals down into hourly goals or minute goals.

Remember, every little step you take towards accomplishing your Big Goal and your dreams can launch you that much closer to it. I typed my Big Goal into my phone, as well as all the little things that needed to be done to achieve it. I set it up under my "Tasks" folder and checked them off as I went. You can do this on your phone too or use good old fashioned pen and paper. The key is to write things down somewhere you can see it often.

And at the end of 2012, if you keep taking those smaller steps towards it, you'll find yourself feeling refreshed and in awe that you accomplished so much more than you ever thought possible....all because you did what you could and bloomed where you were planted.

Take it from this level to the next...and the next...and the next...and the next...

And never give up!

I can't wait to hear all about what you're going to achieve in 2012!

: )

Saturday, October 15, 2011

{ Only 3 More Weeks! Sign Up Today! } -- Mesa, AZ Photographer

{ Only 3 Weeks Left To Register! }



If you haven't registered already, make sure you do soon! Only 50 total spots available { less now }!

If you've ever wanted to get better at taking pictures and know what it takes to turn a passion for photography into a new business, then you don't want to miss this!

Email or call me { Alicia } to sign up :

Email: alicia@BebaPhotography.com    /    Phone: 480-399-3030